The Gossip of Sparrows
after Ngwatilo Mawiyoo’s ‘After a Time in America’
(2024)
The Nashville farmer’s market
whispers to your mind
that this is not
home.
It rips the bandage
wrapped around remembrance.
Reveals red flesh. Causes things
left behind to rush and meet you.
Makes you long for women
in Lumakanda market where old dogs
roam freely and fat flies
dance with bellies up in the air.
Market women who release
laughter from tummies
like Western Union ATMs.
Who add extra onions, handfuls
of peas to your bag.
Who make music
of mirth. Unspool songs
from parched throats like petitions
for the rain ripening
in the sky to wait.
Whose eyes catch yours,
smile, I-see-you-sis —
Sistership. Sailing across the Atlantic
in defiance. Against merciless suns that scald
backs, test patience, kill crops in fields.
In the places between these women’s
smiles, you are a girl
again. Loved by a million mothers.
Laughing at the gossip
of sparrows perched on purple jacarandas.
Pouring yourself in the crevices
between your mothers’ laughter.
No African sun reddens tomatoes
at the Nashville farmer’s market.
No birdsong fills the air.
Just humming fridges, cool
civility, cold coffee, silences. Avoidance —
eye contact you hope will not turn
you to stone.